Friedrich Witt was born 8 Nov. 1770 in Niederstetten. At the age of 17 he came to the court of Oettingen-Wallerstein to complete his musical education. He was probably a student of Antonio Rosetti (1750-1792). There is a letter at the Wallerstein archive that says that Friedrich Witt was employed since October 1789 for 300 Gulden per year at the court orchestra. He played the cello. The prince let him often go for concert tours. Witt was from 1796 for a longer time in Vienna. In 1802 the bishop of Würzburg called him court chapel master where he worked until the dissolution of the court music. Additionally, he was music director of the Stadttheater Würzburg. Witt died highly respected 3 January 1836 in Würzburg.
The piano quintet F Major presented for the first time in the pressure here becomes mush as a duplicate under the signatures. Hs. 311 and mush. Hs. 243 in the university library Johann Christian Senckenberg, Frankfurt am Main keeps. A processing of the trio is F Major for the piano, violin and only set of 1 and 2 contains violoncello, the wind setting, however.
Friedrich Witt published 1807 for the publishing house broad head & hardness as op.6 before one such piano quintet (into them) which alternatively was available in a setting next to a wind setting for strings and the piano.
It only can be suspected that Witt has carried out the processing of his trio. Perhaps Witt manufactured this processing for his half-brother Heinrich Düring (1778 - 1858) who was a bassoonist in Frankfurt as of 1808.
Safe the wind votes to repeat the remark, the 1st rate after the 2nd leap containedly once again only a less-than-ideal solution.
For the first edition rate of the piano trio setting for the wind occupation of the editor was arranged newly because of that one of 3.
